This extraordinary, one-of-a-kind artwork, Wauri-Janay – Stories of 'Women's Business', is both a visual and cultural treasure — a tribute to ancestral wisdom, resilience, and the enduring spirit of Indigenous women's knowledge. Created by emerging artist Ivy Minniecon, a proud Kuku Yalanji woman with Kabi Kabi, Gooreng Gooreng, and South Sea Islander ancestry, this piece embodies the strength and creativity of traditional women's practices reimagined through contemporary art. A graduate of the Bachelor of Contemporary Australian Indigenous Art and Honours in Visual Arts from Griffith University’s Queensland College of Art, Ivy has drawn on the deep well of her heritage to create a powerful expression of cultural continuity and ceremonial significance. In collaboration with master printmaker Dian Darmansjah of Northside Art Studios, Ivy has transformed a handwoven Native Beach Hibiscus Grass skirt — created using traditional Kuku Yalanji plaited weaving techniques — into a bespoke monoprint using charbonnel ink (oil based) on 300gsm Hahnemühle paper. The beach hibiscus fibers, harvested from Country, were used to indexically imprint the skirt onto paper in a process that preserves every curve and movement of the weave. In each unique impression, the skirt appears to dance across the paper, its texture and form echoing ancestral vessels, flowing veins, and sacred knowledge passed down through generations. The grass skirt and monoprint are displayed together as a single framed piece, creating a spiritual and visual dialogue. The skirt acts as a conduit — honouring the ceremonial role of Indigenous women as knowledge holders and cultural custodians. This work invites viewers into a space of respect and reverence for women’s business and the intergenerational wisdom that sustains it.